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File 06 · DJ Supports & Global Recognition

DJ Supports & Global Recognition

An evidence-led archive of international DJ plays, radio broadcasts and platform records — preserving the people, programmes, places and sources behind each documented circulation.

16 entries on file2 editorial categoriesVerified external sources

§01International DJ Supports

Plays and inclusions by international artists · 9
VR
Viresha
DJ Support
01

“Spirit Awakenings” — opening selection at “Club 19Hundra”

Featured work
Jackson Sttauder — Spirit Awakenings
Viresha · Club 19Hundra · Ängelholm, Sweden
Evidence · Tracklist position 01 · set begins at 00:00

Swedish DJ Viresha opens a recorded set at Club 19Hundra, in Ängelholm, with Spirit Awakenings. The published tracklist places the production at position one, starting at 00:00, which is the position a DJ uses to define the register of an entire night. The record documents the circulation of Jackson Sttauder's work on a Northern European club floor, with venue, city and exact placement preserved in the source recording.

YT
Yair Tapia
DJ Support
02

“No Have Money” — “Cartoon High Trip”

Featured work
Jackson Sttauder — No Have Money
Yair Tapia · minimal and minimal techno mix · 2019
Evidence · Inclusion at 01:23:02 · publicly indexed above 1.1 million views

Yair Tapia includes No Have Money in the long-form mix Cartoon High Trip, published in 2019, where the track enters at 01:23:02. The recording remains publicly indexed above 1.1 million views, which makes it one of the widest-reaching single documented circulations of a Jackson Sttauder production within the minimal techno audience. The timestamp is retained so the inclusion can be verified directly at source.

EM
Erick Morillo
International DJ Support · Historical Record
03

A Brazilian production enters the “Subliminal Sessions” network

Featured work
Jackson Sttauder — Thank You Teacher Tiago Garbin (Original Mix)
Erick Morillo · Subliminal Sessions 043 · 20.01.2018 · archive copy by Tales of Electronic
Evidence · Surviving programme audio · on-air identification of artist and title

On 20 January 2018, Erick Morillo placed Thank You Teacher Tiago Garbin (Original Mix) inside Subliminal Sessions 043, only weeks after its December 2017 release on Klank Records. Morillo was the Colombian-American producer behind Reel 2 Real's international hit I Like To Move It and the co-founder of Subliminal Records, the house imprint he launched in 1997 with Harry Romero and Jose Nunez. By the time of this broadcast, Subliminal Sessions had been announced for distribution across 13 countries, including outlets such as SiriusXM in the United States, Radio FG in France and Kiss FM Australia. The surviving programme carries an on-air identification of Jackson Sttauder and the track title. That audible credit is the core evidence: it records a Brazilian production entering an international house-music curatorial network built around one of the genre's most recognisable figures.

BU
budyakov [UA]
DJ Set
04

“Olivia” — “Full Bar @ 15.02”

Featured work
Jackson Sttauder — Olivia
Set published by budyakov [UA] · Ukrainian publisher marker
Evidence · Original SoundCloud publication retained as primary source

Olivia appears in the set Full Bar @ 15.02, published by budyakov [UA]. The programme places the production in an Eastern European listening context and lists Stereo Express among the artists represented. Authorship of the set is recorded under the publishing account rather than attributed elsewhere, so the credit remains accurate to the source.

BB
Belo Brothers
DJ Support
05

Peer selection preserved in “Belo Brothers Techno Pack”

Archive context
Belo Brothers · independent techno curation · SoundCloud archive
Evidence · Original publisher upload · inclusion documented at source · track identity not asserted beyond the surviving page

The Belo Brothers include Jackson Sttauder's material in Techno Pack, an independently assembled selection preserved through the original publisher account. Unlike a radio log with a dated cue sheet, this source documents peer curation: working DJs chose the material for circulation inside their own techno programme. Because the surviving page does not provide enough reliable detail to identify a specific track in the archive entry, the record deliberately stops at what can be verified — publisher, format and inclusion — rather than converting incomplete metadata into a stronger claim.

FK
Fatekickz
DJ Support
06

“Olivia” — “Tune Of The Week”, episode 197

Featured work
Jackson Sttauder — Olivia
Fatekickz · Just Hard Music Radio · episode 197
Evidence · Official tracklist position 15 · designated Tune Of The Week

Episode 197 of Just Hard Music Radio lists Olivia at position 15 of a 37-track programme and marks it as Tune Of The Week. The designation separates the entry from routine inclusion: it records an editorial decision by the host to single out one production from the episode's selection, preserved in the published tracklist.

MC
Mala Conducta
DJ Support
07

Four-track selection — “Banvel Sessions”

Featured work
Mexico 70 · Undergound · The Beautiful Maia · A Man For The Night
Mala Conducta · Tecate, Baja California, Mexico · presented through Techno Radio Spain
Evidence · Official SoundCloud tracklist · four Jackson Sttauder selections

The Mexican artist Mala Conducta programmes four Jackson Sttauder productions within a single Banvel Sessions episode, issued across Under Noise Records, Principal Music Recordings and Klank Records. Presented through Techno Radio Spain and connected to Black Turtle Records, the episode documents sustained selection across several releases rather than a single isolated play — the tracklist itself is the evidence retained.

CC
Cody Chase
DJ Support
08

“Teleportation (Original Mix)” — “The Chase 161”

Featured work
Jackson Sttauder — Teleportation (Original Mix)
Cody Chase · Miami, United States · The Chase, episode 161
Evidence · Official Apple Podcasts episode listing

Episode 161 of The Chase, the weekly programme of the Miami-based DJ, producer and Chasin' Records founder Cody Chase, includes Teleportation (Original Mix). The official Apple Podcasts listing preserves artist and title credit, placing the production within a continuing United States techno and tech house broadcast platform with a stable, citable record.

SF
Club SF
Live Set
09

Jackson Sttauder in the “Club SF” live-broadcast archive

Archive context
Club SF · live techno mix · international streaming programme
Evidence · Original programme upload · artist presented in a live-set format

Club SF preserves a live techno mix by Jackson Sttauder in its streaming archive. The importance of the record is performative rather than track-specific: it documents the artist being presented through a complete DJ-set format to the programme's audience, not merely appearing as one title inside another selector's tracklist. With no additional production log available in the surviving source, the archive identifies only what the original upload establishes — programme, format and artist presence.

§02Radio Shows & Podcasts

Broadcast programmes and syndicated shows · 7
KA
Klank Records
Podcast
01

“KlankArmy Podcast #005” — Jackson Sttauder live set

Featured work
Jackson Sttauder — live set
Klank Records · KlankArmy Podcast series · episode 005
Evidence · Official Mixcloud episode page

Klank Records dedicates episode 005 of its KlankArmy Podcast series to a Jackson Sttauder live set. As a guest edition published by the label itself, the record documents the relationship between artist and catalogue beyond individual releases, preserved on the official episode page.

WL
Some Lad Called Wils
Radio Show
02

Jackson Sttauder material enters a “We Get Lifted Radio” live broadcast

Archive context
Mark W (Some Lad Called Wils) · We Get Lifted Radio · programme recording
Evidence · Surviving YouTube broadcast · host and programme identifiable at source

A surviving edition of We Get Lifted Radio, hosted by Mark W under the Some Lad Called Wils name, documents Jackson Sttauder's material inside a live international broadcast. The record matters because it preserves programme authorship and the transmission itself in the same source. Where a complete cue sheet is not available, the archive does not infer a track title or timestamp; it records the verifiable broadcast context and keeps the original programme accessible for direct review.

FK
Fatekickz
Radio Show
03

“Olivia” — “Tune Of The Week”, episode 197 (broadcast edition)

Featured work
Jackson Sttauder — Olivia
Fatekickz · weekly techno and rave programme · episode 197
Evidence · Second platform record · tracklist position 15 · Tune Of The Week

The broadcast edition of episode 197 independently preserves Olivia at tracklist position 15 with the same Tune Of The Week designation. Held alongside the SoundCloud publication, it provides a second, independently hosted record of the identical support, which strengthens the verifiability of the entry.

DF
Deep Field
Podcast
04

Jackson Sttauder documented inside “Deep Field” transmission 007

Archive context
Deep Field · DF007 · guest mix by AZA · podcast archive
Evidence · Official episode publication · series and episode number preserved

Deep Field's seventh published transmission, DF007, presents a guest recording by AZA and documents Jackson Sttauder's work within the programme's underground selection. Its archival value comes from its position inside a numbered editorial series: the episode identity and original publication survive together, allowing the circulation to be traced to a specific instalment rather than an undated repost. No unsupported track position is assigned where the public metadata does not establish one.

GO
Giuseppe Ottaviani
Radio Show
05

A Jackson Sttauder work reaches Giuseppe Ottaviani’s “GO On Air 072”

Archive context
Giuseppe Ottaviani · GO On Air · episode 072 · official programme archive
Evidence · Original episode publication · programme authorship and edition preserved

Episode 072 of GO On Air places Jackson Sttauder's material within the programme archive of Italian producer and live performer Giuseppe Ottaviani. More than a detached platform mention, the source connects the work to a numbered edition of an established international broadcast series. The entry preserves that programme-level evidence without inventing a title, cue point or editorial distinction that the accessible metadata does not independently confirm.

ES
Escribano · Loca FM Ibiza
Radio Show
06

“Muy Caro” — “GHETTO Radioshow #3”

Featured work
Ti & Ti, Jackson Sttauder — Muy Caro
Escribano · GHETTO Radioshow #3 · Loca FM Ibiza · Spain · 24.02.2017
Evidence · Published programme tracklist · listed as track n° 7

The published tracklist of GHETTO Radioshow #3, presented by Escribano and tied to Loca FM Ibiza programming, lists "Ti & Ti, Jackson Sttauder — Muy Caro" as track n° 7. Dated 24 February 2017, the entry is a verifiable record of the collaboration circulating within Spanish radio programming. The claim made here is limited to what the tracklist supports: the position, the date and the programme, with the original page retained as the source.

AF
Afterhours FM · Trance In Brazil
Radio Broadcast
07

“Brazil In The Mix” — Jackson Sttauder

Featured work
Brazil In The Mix — Jackson Sttauder
Afterhours FM · Brazil In The Mix 2017 · 28.08.2017 · Jackson Sttauder listed at 02:00
Evidence · Dated programme schedule · artist time slot · Travel In BPMs flyer archive

The published schedule for Brazil In The Mix 2017 lists Jackson Sttauder at 02:00 on 28 August, inside a special Afterhours FM broadcast connected to Trance In Brazil. The dated running order upgrades the record beyond a surviving promotional image: it identifies the event, transmission date and artist slot. Held together with the original flyer in the Travel In BPMs archive, the two documents establish Jackson's participation without extending the claim to an unverified tracklist.

Institutional note

Each entry preserves two legacies: the work that travelled and the DJ, curator, programme or platform that carried it. Together, these sources form a permanent public record of Jackson Sttauder's international circulation.